Enables artists to clean brushes and look after their equipment.
Liquid cleaning fluid does not contain toluene.
It is used once a painting is finished to remove any grease and clean brushes and other painting implements.
Ceramic is a pigment-based glycerophtalic resin. The 20 colours in the range are opaque, bright and have high covering power ; they lend a light enamelled appearance to the supports. These colours can be used on all smooth supports, for example glass, porcelain, tiles, but also metal and plastic...
The outliner is used to create contours that imitate the lead of stained glass windows. Outliner colours can be used to set creations, making them stand out by imitating the lead used on old stained glass windows. Its tube with an applicator nozzle and its viscosity means that this product can...
The clarified linseed oil slows down the siccativation and allows the painter to make his own medium. 'BEAUX-ARTS' Quality. Texture: Liquid. Finish: Gloss. Drying: Slow.
Mineral oil essence helps to fluidify oils and mediums and to clean the applicators. Its “fine-art“ quality allows for rapid evaporation. Finish: Neutral. Fast drying.
With its 50 colours, the FINE Oil range offers a complete spectrum for every blend and specific colour. The colours have been chosen from those most widely used and we have deliberately limited the number of graduated tints (colours proposed with the addition of white) so that you have complete...
Dough for making serifs in an opaque matt finish.
Dense and opaque modeling paste.
Allows the creation of bas reliefs marked with a painting knife and all semi-thick writing.
Flexible, don't crack.
Can be used alone or mixed in all proportions with acrylic and vinyl paints....
Used as an undercoat to seal the surface and give a shinier result.
Used as a varnish to evenly protect objects from chemical (detergents) and abrasive damage.
Do not use on gilding wax.
Does not increase the initial shine of the gilding products.
Application 72 hours after drying...
Cleaning diluent reduces viscosity and cleans. Usable by diluting, to reduce, if necessary, the viscosity of the gilding. Dilution at 20% maximum. Cleaning of the applicators used for gilding. Used to stripper old dry gilding.
For use on various materials : paper, wood, clay, glass, plaster, metal, fabric, ceramics.
Provides an even application on large surfaces, with a paint roller or synthetic brush.
INSTRUCTIONS FOR USE :
The metallic pigments must be first mixed in the bottle, then shaken...
